Three shots. Just three shots. That was all that was needed to jostle the nation one fine morning of 1959. The Blitz broke the news to the world with the above headline and continued to carry the news for another three years. Such was the uniqueness of the events; such was the charm it carried that the whole nation keenly followed what was to unfold.The story is from a fairly young and independent India all
of 12 years old, the times when Mumbai was still called Bombay and the practice
of a bench of jury giving out judgements was still underway, unlike today,
where a single judge pronounces the fate of a case.
The front page of the Blitz newsmagazine that broke the news. Photo Courtesy: Internet |
A young Parsi had shot dead another man for having to refuse
to marry his wife after having a brief affair with her. The man in question was
KM Nanavati, an honest, nation-loving naval officer. The case was one of its kinds,
for more reasons than one. The first thing he did after shooting his wife’s
lover was to surrender. Surprisingly, the man managed to attract huge crowd
support. It is said that the print media played a pivotal role in painting
Nanavati as the hero and maligning the lover’s image. This led to the Jury
members being influenced (allegedly) by public opinion shaped by the print
media.
The front pages of Blitz, the newsmagazine which closely followed the case for 3 years. Photo Courtesy: Internet |
The crux of the arguments thrown by the lawyers was to figure out whether Nanavati shot the lover in the ‘heat of the moment’ or it was a pre-planned, well-thought through murder that was staged. Nanavati was found not guilty by the Bombay sessions court. The case took its course and was reopened in the Bombay High Court and then Supreme Court in the coming three years. The case was a landmark in bringing about important changes in the Indian Judicial system.
A poster of the film. Photo Courtesy: Internet |
Akshay Kumar-starrer Rustom, that hit the theatres last
weekend, is based on this infamous incidence, but at the same time exercises
its creative freedom to the fullest. A lot of details and sequences in the film
are tampered with along with the central characters’ names. For example, Rustom
(played by Akshay Kumar) fights his own case in the court without a lawyer
which did not happen in real life. Nanavati had a lawyer defending him. The
prosecution was led by a young Ram Jethmalani back then.
The media influence in shaping the public opinion is
evidently shown with Kumud Mishra killing it with his portrayal of a Parsi
middle-aged man, running a leading weekly. The tampering with the story line
makes it confusing for the viewer to comprehend what exactly unfolded. Akshay
Kumar delivers a fine and believable performance as a Parsi naval officer who
dots on his wife. Atif Aslam rejuvenates your life with his soul stirring voice
in his romantic renditions.
Having an extremely powerful and interest invoking case at hand and an actor of Akshay Kumar’s calibre to bring it across on screen, the film still fails to keep you hooked for long, unlike the promising trailer which had sent my expectations skyrocketing.
But, as they say, there is always a silver lining to every cloud. As far as the weekend goes, go for Happy Bhag Jayegi. You won’t regret.
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